The JC interviews Frank London on The Klezmatics. Read the full interview here! “Frank London is reflecting on his long and happy life as a founding member of The Klezmatics. Not just the 33 years he has spent with the band, touring the world, recording albums and delighting audiences with their uplifting, celebratory music. But also…

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The Gabbplegate Music Review’s thoughts on Apikorsim. Read the full article here! “It is music to savor, an album that will remind you that the musical world we inhabit is a remarkably fluid one, that the river of world heritage is wide so long as we have creative musicians like the Klezmatics to renew our immersion…

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The World Music Central website profiled the Klezmatics, going over the band’s full history! Read the full article online here. “In 1988, The Klezmatics were primarily playing clubs and parties in New York. Through the influence of Ben Mandelson of 3 Mustaphas 3, they were invited to play at the first annual Heimatklange Festival in…

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Folk music expert Mike Regenstreif’s review of The Klezmatics album Apikorsim. Read the full article online here! “In some ways, it’s an album of contrasts. On the one hand, there are songs like “Zol shoyn kumen di geule (May Redemption Come),” a joyous longing for the coming of the Messiah, and “Ver firt di ale shifn?…

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The PopMatters staff named Apikorsim as one of their top 12 favorite world albums in 2016. Read the full article here! “Whether playing traditional material or their original numbers, they electrified audiences with a sound that was powerfully physical and deeply spiritual. A late ‘80s show I caught at the original Knitting Factory on Manhattan’s Lower…

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An interview and profile on the Klezmatics by NorthJersey.com. Read the full article here! “‘Heretics’ also sees the Klezmatics recording for the first time as a pure sextet. There are no guest appearances or additional musicians, as on the band’s other recordings. ‘I’m really happy that it’s just the six of us,’ Morrissett said. ‘We’re…

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The American Jewish World’s review of Apikorism. Read the full article here! “And so the album goes, song after song, from stately tradition to freewheeling anarchy, from heresy to orthodoxy, from old-world fiddle solos to angular contemporary arrangement, as though one necessarily follows the other, as though music can prove Helen Keller was on to something.”

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